Gordon woman and Wadawurrung elder Aunty Marlene Gilson to start with commenced portray in her late 60s, and within a yr she was an exhibiting artist. 

Ms Gilson had questioned her young children to aid hold her occupied even though she was unwell, so her son Barry gave her a wooden prepare established to paint for her grandchildren, while her daughter Deanne left her with a blank canvas.

Afterwards that calendar year, in 2012, her paintings were being exhibited at the Art Gallery of Ballarat, alongside Deanne’s get the job done.

3 several years later on she received the People’s Selection Award at the 2015 Victorian Indigenous Artwork Awards for her large-scale portray Bunjil’s Ultimate Resting Location, Race Assembly at Lal Lal Falls.

10 a long time on from her initially brush stroke, Ms Gilson’s get the job done is staying projected on to the Sydney Opera Household and is highlighted in art galleries throughout the state.

“When Deanne first gave me the canvas, I reported ‘I will not know how to paint on it’,” Ms Gilson mentioned.

“Now I just continue to keep portray.”

Sharing tales from the goldfields

Art has provided Ms Gilson a way to share stories from her society, together with those people her grandmother instructed her as a boy or girl.

Ms Gilson is a descendant of King Billy, an Indigenous tribal leader of the Ballarat area at the time of the Eureka Stockade, and his wife Queen Mary.

Marlene Gilson inspects her painting at the Artwork Gallery of New South Wales.(Equipped: Gilson spouse and children)

Lots of of her paintings convey to tales of the goldfields, which includes her painting of Mount Warrenheip and the Eureka Stockade that is at the Artwork Gallery of Ballarat.

She reported she aimed to create a new target on the involvement of Aboriginal individuals in significant historical functions.

Ms Gilson claimed she painted the Eureka Stockade — a riot in 1854 by goldfield staff from the cost of a miners’ licence — from her grandmother’s stories.

“When the combating broke out, some of the young children and females ran to the Aboriginal camp,” she claimed.

“George Yuille (a white person) lived with a person of the Aboriginal women of all ages in the camp, so it was not terrifying for the kids to run there and be with them.”

Ms Gilson’s painting Jones Circus at Eureka tells the tale of younger Wadawurrung adult males who were being recruited to be circus performers.

“That would have been our individuals,” she said.

“I like that story, that is one of my favourites.

Living on place

Ms Gilson has been dwelling on her state in Gordon for 51 yrs and explained she “wouldn’t are living any where else”.

She explained her children grew up painting, drawing, crafting and singing on the residence, and used art as a way to tell cultural tales.

“We experienced a mine shaft on the property and all the time Deanne used to go up there and get clay off the side of it and make pots — I nonetheless have a person of her pots someplace,” she mentioned.

An indigenous man in facepaint takes a selfie looking out over an audience at a music festival
Barry Gilson did a welcome to country and sang in language at A Working day on the Eco-friendly at Mount Duneed in 2021.(Equipped: Barry Gilson)

Carrying on the legacy